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The Review of Journalism
  • About
    • Current Masthead
    • Past Mastheads
    • Renaming Statement
    • Awards & Citations
  • The Magazine
  • Stories
    • Long Reads
    • Quick Reads
    • Multimedia
    • Fun and Games
  • Podcasts
    • Pull Quotes
    • Behind the Review
    • Dear Journalist
    • Reviewed
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Category: The Magazine

An illustration of people in a boat reaching up to help three others dangling from a rope in the dark sky, surrounded by seagulls.
July 27, 2026July 8, 2026Labour, Spring 2026, The Magazine

The Last Lifeline

Can philanthropy save Canada’s independent newsrooms?

Illustration of a person sleeping in bed, encircled by symbols of well-being like a lightbulb, apple, book, thumbs-up, and heart.
July 24, 2026July 8, 2026Disinformation, Spring 2026, The Magazine

The Verification Generation

How can we stop our kids from turning into our parents?

A vintage collage of newspaper clippings featuring a smiling person, an 'I love Transsexuals' graphic, and protest scenes.
July 22, 2026July 8, 2026Disinformation, Labour, Press Freedoms, Spring 2026, The Magazine

For the Record

What’s the future of the public archive of Trans lives and stories as erasure and authoritarianism takes hold?

Illustration of a child on a newspaper-covered ground, casting a double shadow, with ghostly adult figures and bare trees above.
July 17, 2026July 8, 2026Disinformation, Press Freedoms, Spring 2026, The Magazine

The Two Percent

A growing number of Canadians identify as Autistic yet media organizations still default to erasure, a case study of SJC

Woman's profile with a speaker at a podium and a hand holding a pen inside.
July 15, 2026July 8, 2026Labour, Spring 2026, The Magazine, Uncategorized

Journalism is ­Political

Last year, at age 20, I tried to become an MP. Unsurprisingly, I lost

A bold, abstract illustration with a vibrant orange background. A large, irregular black shape with undulating edges fills the center, patterned with multiple horizontal wavy white stripes. An orange bird's head in profile with a black beak, a black dot for an eye, and a small white asterisk is visible in the upper right. Below, a yellow, multi-jointed mechanical arm-like structure holds a yellow object resembling a hilt, from which a sharp, light blue dagger blade protrudes.
July 13, 2026July 8, 2026Spring 2026, The Magazine

Shivs and Vultures

Canadian satire is a sharp instrument for representation, both at home and abroad

July 10, 2026July 6, 2026Disinformation, Labour, Spring 2026, The Magazine

The Digital Blue-print to Preserving Journalism

A narrative guide to journalistic survival in the age of artificial intelligence and social media influencers

A grainy newspaper page from the 'Daily Packet and Times', Orillia, Ontario, Tuesday, August 13, 1968. It prominently features two black and white wedding photos. The larger image on the left shows a Filipino bride in a 'Maria Clara' style gown, veil, and tiara, alongside her groom in a suit, performing a ceremonial act involving a cord, crown, and cushion. The smaller image on the right shows the full-length view of the couple standing together. The accompanying article details the wedding of Mr. and Mrs. Antonio Ventura, noting the bride's choice of a century-old Philippine national dress.
July 8, 2026July 6, 2026Spring 2026, The Magazine

After the Fold

50 years of my family’s history was told in The Packet & Times. Now that it’s gone, who will  share our stories?

A stark, stylized illustration using white, light blue, and dark blue/black tones. A person with light blue skin, short ruffled hair, and dressed in a loose white tunic and pants, sits with knees bent inside a dark, rectangular frame. They look to their left and raise their right hand, palm upward, towards a large, dark silhouetted hand reaching down from the top left corner. Another dark silhouetted hand reaches up from the bottom right. The background is a vibrant light blue with broad, curving white bands that swirl around the central framed figure, creating a sense of movement and surrounding presence. The image suggests isolation within a contained space while being impacted by outside forces or attempts at connection.
July 6, 2026July 6, 2026Labour, Spring 2026, The Magazine

Ultimate ­Responsibility

An object from which something is obtained: Redefining our definition of source

A digital illustration with a grainy texture showing the backs of a diverse group of people sitting in dark blue-trimmed theater seats. The room is dark, like a cinema, with faint light sources visible on the upper wall. Five white computer mouse cursors with blue outlines are floating in the air above the audience, all pointing forward and slightly upwards towards the unseen screen, suggesting a blend of traditional viewing with digital interaction.
July 3, 2026July 6, 2026Labour, Spring 2026, The Magazine, Uncategorized

Building a Bridge

The Fifth Estate’s documentary into Missing Black Boys centred community at its premiere. Could this be a way forward for investigative journalism?

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