A grainy newspaper page from the 'Daily Packet and Times', Orillia, Ontario, Tuesday, August 13, 1968. It prominently features two black and white wedding photos. The larger image on the left shows a Filipino bride in a 'Maria Clara' style gown, veil, and tiara, alongside her groom in a suit, performing a ceremonial act involving a cord, crown, and cushion. The smaller image on the right shows the full-length view of the couple standing together. The accompanying article details the wedding of Mr. and Mrs. Antonio Ventura, noting the bride's choice of a century-old Philippine national dress.

After the Fold

50 years of my family’s history was told in The Packet & Times. Now that it’s gone, who will  share our stories?

July 8, 2026

Ultimate ­Responsibility

An object from which something is obtained: Redefining our definition of source

July 6, 2026
A stark, stylized illustration using white, light blue, and dark blue/black tones. A person with light blue skin, short ruffled hair, and dressed in a loose white tunic and pants, sits with knees bent inside a dark, rectangular frame. They look to their left and raise their right hand, palm upward, towards a large, dark silhouetted hand reaching down from the top left corner. Another dark silhouetted hand reaches up from the bottom right. The background is a vibrant light blue with broad, curving white bands that swirl around the central framed figure, creating a sense of movement and surrounding presence. The image suggests isolation within a contained space while being impacted by outside forces or attempts at connection.

Building a Bridge

The Fifth Estate’s documentary into Missing Black Boys centred community at its premiere. Could this be a way forward for investigative journalism?

July 3, 2026
A digital illustration with a grainy texture showing the backs of a diverse group of people sitting in dark blue-trimmed theater seats. The room is dark, like a cinema, with faint light sources visible on the upper wall. Five white computer mouse cursors with blue outlines are floating in the air above the audience, all pointing forward and slightly upwards towards the unseen screen, suggesting a blend of traditional viewing with digital interaction.
Whose Ice Is It Anyway?
July 1, 2026
The Palestine Exception in Film
June 29, 2026
A grainy newspaper page from the 'Daily Packet and Times', Orillia, Ontario, Tuesday, August 13, 1968. It prominently features two black and white wedding photos. The larger image on the left shows a Filipino bride in a 'Maria Clara' style gown, veil, and tiara, alongside her groom in a suit, performing a ceremonial act involving a cord, crown, and cushion. The smaller image on the right shows the full-length view of the couple standing together. The accompanying article details the wedding of Mr. and Mrs. Antonio Ventura, noting the bride's choice of a century-old Philippine national dress.

After the Fold

50 years of my family’s history was told in The Packet & Times. Now that it’s gone, who will  share our stories?

Gray Moloy

July 8, 2026

A stark, stylized illustration using white, light blue, and dark blue/black tones. A person with light blue skin, short ruffled hair, and dressed in a loose white tunic and pants, sits with knees bent inside a dark, rectangular frame. They look to their left and raise their right hand, palm upward, towards a large, dark silhouetted hand reaching down from the top left corner. Another dark silhouetted hand reaches up from the bottom right. The background is a vibrant light blue with broad, curving white bands that swirl around the central framed figure, creating a sense of movement and surrounding presence. The image suggests isolation within a contained space while being impacted by outside forces or attempts at connection.

Ultimate ­Responsibility

An object from which something is obtained: Redefining our definition of source

Addie Tiller

July 6, 2026

A digital illustration with a grainy texture showing the backs of a diverse group of people sitting in dark blue-trimmed theater seats. The room is dark, like a cinema, with faint light sources visible on the upper wall. Five white computer mouse cursors with blue outlines are floating in the air above the audience, all pointing forward and slightly upwards towards the unseen screen, suggesting a blend of traditional viewing with digital interaction.

Building a Bridge

The Fifth Estate’s documentary into Missing Black Boys centred community at its premiere. Could this be a way forward for investigative journalism?

Ariel Tozman

July 3, 2026

A high-contrast, blue-toned image depicts several hockey players in dark uniforms, wearing helmets, some holding sticks, moving from a shadowy foreground towards a brilliant, white-blue light. One player's jersey clearly reads 'MARCHESSAULT' on the back. They are accompanied by security and enthusiastic fans, many of whom are reaching out or holding up phones. The players appear to be entering or exiting a hockey arena through a tunnel flanked by clear plastic barriers.

Whose Ice Is It Anyway?

A critical look at how coverage of the NHL and PWHL frames Queerness, revealing the politics of who gets to define the game’s culture

Heaven Silver

July 1, 2026

A colorized image depicts a man with striking blue eyes and a light-colored ghutra (head covering), appearing to be captured or struggling, as blurred figures surround him. His hands are near his head, and a blade is visible by his left shoulder. Partially visible British soldiers in helmets are to the left and right, with a blurred crowd behind. Two Union Jack flags hang against the light sky in the upper left, indicating a historical colonial setting.

The Palestine Exception in Film

Palestinian films are sweeping awards and drawing big festival crowds, but you wouldn’t know that from mainstream arts and culture pages

Hajir Butt

June 29, 2026