Abstract art collage of model walking runway surrounded by reporters.

Out of the Spotlight

It’s a chilly weekend in November 2024, but outside T3 Bayside, the crisp air is charged with excitement. Crowd control bollards funnel guests—hundreds of homegrown designers, models, photographers, artists, and fashion lovers—into the runway room, where they await the chance to see the new collections and mingle among art and clothing. Bursts of colour, texture, and personality transform this east downtown Toronto space on the waterfront. T3 Bayside, which boasts the title of tallest timber office building in North America, is hosting 8,000 attendees and participants at Fashion Art Toronto, a four-day annual celebration of Canadian fashion. This weekend, the event is debuting fall and winter fashions, showcasing more than 40 Canadian designers.
Christian Allaire poses for a picture.

From Nipissing to New York

On the first Monday in May, Christian Allaire, a senior fashion and style writer at Vogue, is up at seven in the morning writing stories in preparation for fashion’s biggest event. By the early afternoon, he is ready and ravishing on Fifth Avenue for the Met Gala’s 2024 red carpet, themed “The Garden of Time.” Allaire, descending from Italian-French and Ojibwe lineage, wears a black suit and blazer detailed with purple lupines and scarlet red Indian paintbrushes—the flowers from back home. His designer, Jamie Okuma, added a traditional black-and-white Ojibwe breechcloth to the pants, mixing the tailored, modern suit with traditional, cultural attire. To top it off, Allaire carries an antique, multicoloured shoulder bag with floral beadwork to represent his heritage and home.

The New Season

To survive, fashion magazines have embraced digital media and diversity Nicola Hamilton…
A plus sized woman standing in the spotlight in the centre of a number of thinner woman wearing press badges

Plus-Sized in a Fat-Free Industry

Why can’t fashion journalism do more to expand its shapes and sizes?