A tattooed arm holds a pen and a notepad

Ink On and Off the Page

Tattoos are a deeply personal and visual expression of identity. They offer a window into who someone is—their passions, values, memories, and interests, all etched into their skin. In the same way, journalist’s stories provide insight into their worldview—how they process ideas, what compels them to tell certain stories, and ultimately, what drives them as storytellers.

Samira Speaks Out

Samira Mohyeddin’s On the Line Media seeks to address the “reckoning” journalism faces Samira…

Breaking the Unbreakable

The journalism industry is evolving—too bad our rules aren’t keeping pace Journalism…
Stevie Cameron sits on a park bench with her dog at night

Sharp Pen, Soft Heart

In August 1999, Karlheinz Schreiber sat in a corner of a bustling Toronto hotel restaurant, gesturing enthusiastically to National Post reporter Philip Mathias about an instant spaghetti cooking machine he was promoting. It was a strange scene for the German-Canadian businessman, whose name was synonymous with high-stakes deals involving planes, tanks, and whispers of political intrigue. Mathias, who had initially broken the story that connected former Prime Minister Brian Mulroney to the Airbus probe, listened carefully for the possibility that Schreiber might let something slip.
Four shadowed out figures are positioned around a brown-colored stage, with black curtains framing two sides of the image. A large golden trophy with a question mark is at the centre, and four headlights at the top of the image.

Behind the Curtain

Have you ever nominated yourself for a journalism award and started second-guessing whether you made a typo? What exactly goes into picking a winner, anyway? Who decides? What does the competition look like? When will I receive my cash prize?

Baseball, Birding, and Chocolate Zucchini Cake

Looking back, where did I get the audacity to do that?” asks Emma McIntosh, reflecting on her early days as a journalist in high school. “There was this quote that went along the lines of ‘Mr. V. declined to comment, stating a desire to keep his professional life and community work separate.’ I was crazy.”

Anchored in Community

Ginella Massa’s push into journalism began with her mother’s advice: “Just because it hasn’t been done before, doesn’t mean you can’t be the first to do it.”
Freelancer Matt Elliot sits on a bench with his laptop, outside a legacy newsroom building, which only has a few lights left on. In a thought bubble that appears to his right, we see that his laptop screen shows the “Substack” logo.

The Substack Dilemma

A longtime music journalist, Michael Barclay began writing on Substack during what he calls a “mid-career crisis.” After working for Exclaim!, Maclean’s, CBC, and other outlets, he launched That Night in Toronto, a newsletter focused on music and culture.
A person looks down at their laptop while icons circle around them, causing them stress.

Impassioned but Exhausted

When Twitter was first on the rise, Talia Ricci recalls how hectic it was to live tweet while filing on deadline.
An illustration of Bob McKeown, sitting behind a CBC desk, with a martini in his hand, toasting to the camera which is live, on air.

Last Toast

On the crisp evening of Nov. 28, the Toronto Reference Library is quiet with anticipation as images from five decades of The Fifth Estate illuminate the walls. As the hundreds of guests in the Bram & Bluma Appel Salon settle, a voice calls for everyone to take their seats.