Tattoos are a deeply personal and visual expression of identity. They offer a window into who someone is—their passions, values, memories, and interests, all etched into their skin. In the same way, journalist’s stories provide insight into their worldview—how they process ideas, what compels them to tell certain stories, and ultimately, what drives them as storytellers.
Samira Mohyeddin’s On the Line Media seeks to address the “reckoning” journalism faces Samira Mohyeddin is editor in chief and founder of On the Line […]
The journalism industry is evolving—too bad our rules aren’t keeping pace Journalism has changed. The hard-boiled, film-noir-esque stereotype no longer resembles the […]
In August 1999, Karlheinz Schreiber sat in a corner of a bustling Toronto hotel restaurant, gesturing enthusiastically to National Post reporter Philip Mathias about an instant spaghetti cooking machine he was promoting. It was a strange scene for the German-Canadian businessman, whose name was synonymous with high-stakes deals involving planes, tanks, and whispers of political intrigue. Mathias, who had initially broken the story that connected former Prime Minister Brian Mulroney to the Airbus probe, listened carefully for the possibility that Schreiber might let something slip.
Have you ever nominated yourself for a journalism award and started second-guessing whether you made a typo? What exactly goes into picking a winner, anyway? Who decides? What does the competition look like? When will I receive my cash prize?
Looking back, where did I get the audacity to do that?” asks Emma McIntosh, reflecting on her early days as a journalist in high school. “There was this quote that went along the lines of ‘Mr. V. declined to comment, stating a desire to keep his professional life and community work separate.’ I was crazy.”
Ginella Massa’s push into journalism began with her mother’s advice: “Just because it hasn’t been done before, doesn’t mean you can’t be the first to do it.”
A longtime music journalist, Michael Barclay began writing on Substack during what he calls a “mid-career crisis.” After working for Exclaim!, Maclean’s, CBC, and other outlets, he launched That Night in Toronto, a newsletter focused on music and culture.
When Twitter was first on the rise, Talia Ricci recalls how hectic it was to live tweet while filing on deadline.
On the crisp evening of Nov. 28, the Toronto Reference Library is quiet with anticipation as images from five decades of The Fifth Estate illuminate the walls. As the hundreds of guests in the Bram & Bluma Appel Salon settle, a voice calls for everyone to take their seats.
