A woman with white hair in a jacket sitting in an office.

Marion LaVigne on the Future of Up Here

The ‘voice of Canada’s far North’ closed its Yellowknife offices last year. Its publisher discusses the future of print magazines with the Review.
A photo of a smiling woman in a blazer.

Jennifer McGuire on the Future of Xtra and Pink Triangle Press

The managing director of 2SLGBTQIA+ publisher discusses the future of journalism amid evolving online ecosystem.

Forty Years on the Watch

This year’s annual edition is not only home to hard-hitting, big-picture pieces like the Gaza cover story. It also discusses one of the timeliest issues of the year: the climate crisis.
A black-and-white photo of Don Obe's face.

Mentors: 40 Years of Instructors

The Review’s four longest-serving instructors reflect on how the magazine has adapted and evolved in the last four decades, from 1984 to 2024.

The Review Demands

That surly dictum has another meaning, too: Yes, students are entrusted with “the watchdogs on the watchdogs,” but the watchdogs we’re reporting on are also keenly watching us, too.
A trans flag.

Canadian Media Must Step Up to Cover This Moment for Trans People

Canada is in the midst of a gender moral panic. Meanwhile, openly trans journalists are few and far between.
Portrait of John Vaillant.

A Conversation with John Vaillant

The Vancouver author of Fire Weather talks to the Review about our carbon awakening and his award-winning 2023 book, Fire Weather: The Making of the Beast.
Video game screen in which a person with long hair sits at a desk working on their podcast.

Why the Best Worst Depiction of Podcast Journalism Matters

The issue is that Spider-Man 2 fundamentally misunderstands what journalists do. The game’s writers undermine the journalist’s basic craft—telling stories or producing news—by either being vague about the reporting process or depicting something unbelievable.
A collage of screenshots of queer-centric publications like the Body Politic and Xtra magazine.

The Evolution of Queer Media

Queer media began small but unified. Now they’re more prolific, but some 2SLGBTQIA+ journalists say this risks losing the strength of a collective voice